THE SMART TRICK OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928) THAT NO ONE IS DISCUSSING

They in many cases are craving romantics, with this particular change: Buster seems a plausible mate, along with the Tramp barely appears to have a libido, only idealized notions. If their comedies were designed in a more liberated time, it is achievable to assume Keaton in mattress with a girl, but disquieting to think of the Tramp to be a sexual